Well, well... I sat down at the computer with creative ideas to write about sun shine and what not, but while leisurely eating my bagel, I read
Mr. Random's blog which lead me to
Sleeve's blog and caused a whole lot of blog-reading catch up as well as sparking my brain with opinions...
oh the world of corporate music. First off, there's really no reason to get mad at the Rock n Roll Soldiers... yet. If they forget Eugene and KWVA, well, then we can get pissed at them. I personally have never seen the Rock n Roll Soldiers, but from what I've heard of them, they put on a great show and are completely major label material.
Plus, I understand that they are quite young, and man, getting taken out to dinner, told some good stories about recording and touring and what we can do for you sure is exciting. I'm grateful for my days in college radio where I got this oprotunity from labels... no fantasies of recording and touring, but dinner and free drinks with a bunch of schmooze language can just be fun. Then there are the grandiose fantasies that over ride historical influence. God, the idea of having somebody else pay for your recording in a fat ass studio with people who can make your shit sound the way you want it to, with the opprotunity to work with big wigs who you've always heard about, make a video, have a tour bus and hotel rooms... this is all very attractive. True, it just may be the devil's work, the album may end up sounding glossy and over-produced, taking the life out of a club oriented rock sound. True, the label may begin pushing the band members to look and act a certain way. True, the label may insist that the band change certain things about themselves. But not every major label release sucks, and not every artist walks away with a horror story to tell. Some of my favorite artists are on major labels.
Honestly, I have major label fantasies all the time (don't die Sleeve). True, I know the idie road is more my style, keeping door prices low for the people, connecting on a personal level, and creating a feeling that the band has a symbiotic need for the audience is an important part of The Ovulators, but I also get damn tired of getting paid less than $11 an hour to get kicked, bit and spit on (I'm speaking literally, not symbolically), when I just want to be at home working on that new song...
so, thank god for summer vacation and my moment in time when I get to experience just me, the river, the dirt, the flowers growing, six strings, and my four track.